Mai Zetterling

 ( 1925 Births ) 

After a brief return to Sweden, in which she worked with Bergman again in his film Music in Darkness (1948), she returned to Britain and starred in a number of UK films. Some of her notable films as an actress include Quartet (1948), a film based on some of W. Somerset Maugham's short stories, The Romantic Age (1949) directed by Edmond T. Gréville, Only Two Can Play (1962) co-starring Peter Sellers and directed by Sidney Gilliat, and The Witches (1990), an adaptation of Roald Dahl's book directed by Nicolas Roeg. Having gained a reputation as a sex symbol in dramas and thrillers, she was equally effective in comedies, and was active in British television in the 1950s and 1960s.

In 1960, she appeared in Danger Man as Nadia in the episode "The Sisters".

She began directing and publishing novels and non-fiction in the early 1960s, her films starting with political documentaries and a short film titled The War Game (1963), which was nominated for a BAFTA award, and won a Silver Lion at Venice, both for the Best Short Film. Her directorial feature film debut Älskande par (1964, "Loving Couples"), based on the novels of Agnes von Krusenstjerna, caused a scandal at the 1965 Cannes Film Festival for its sexual explicitness and nudity. Kenneth Tynan of The Observer later called it "one of the most ambitious debuts since Citizen Kane". It was not the only film she made that caused controversy for its frank sexuality.

When critics reviewing her debut feature stated that "Mai Zetterling directs like a man", she began to explore feminist themes more explicitly in her work. The Girls, which had an all-star Swedish cast that included Bibi Andersson and Harriet Andersson, discussed women's liberation (or lack thereof) in a society controlled by men, as the protagonists compare their lives to characters in the play Lysistrata, and find that things have not progressed very much for women since ancient times. In 1966, she appeared as a storyteller on the BBC children's programme Jackanory, and in five episodes narrated Tove Jansson's Finn Family Moomintroll.

Documents at the National Archives in London show that, as a member of the Hollywood Left, she was watched by MI5 as a suspected Communist. It did not hamper her career, however.